That's relatable to a lot of people, not just my profession. “It's hard to make whatever is happening in private life work with my job. For me, this is the last song at a school dance.” I wanted to give myself a challenge and try to make something smooth where you just get in the groove. This is definitely the most ‘static’ song I’ve done. I wanted to talk about business but in a fun, quirky way.”
It’s one of the few songs where I've been very visual with my inspiration. “I wanted to make something that sounded like Studio Ghibli, the Japanese film company behind Spirited Away. She said, 'Go back, finish the studio session, and then maybe you'll get something good out of it.' She was right. I called my mum, who is my biggest idol-she's a really cool, empowered woman.
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I didn't feel welcome or like they respected me, and I thought, ‘Why the hell am I here if we're not going to work together?’ I was really annoyed because I didn't know how to let them know I wasn't okay with it. “It's about a writing session I was in that was difficult. We brought the band into a studio in Norway, they just played what they play live, and it worked.” I thought, ‘What the hell do I do with this song?’ It's so good and we were playing it so much live, but we didn’t know how to finish it. It was never finished and was on my computer forever. “I wrote this song in London two years ago. With touring, sometimes you have to wake up really early, you don't get enough sleep, and you're away from home for a long time.” You can hear that it's not just happiness in the song. That's one of the best festivals we've played. It was written with Electric Picnic in Ireland in mind. “This track is about my band and the crowds at our shows. It doesn't need to just be relationships, it can be a friendship or whatever.” If you're going through something difficult and you get through it, that's when you level up and go to the next level. It's such a kitchen song! I listen to it while cooking. We stayed in the kitchen and wrote it there. “We were recording in my hometown and for some reason didn’t even go to the studio to finish.
That balance is always hard to find: How much should you share and how much do you want to keep to yourself? That's something that I need to be more aware of now.” I prefer to stay private about my private life, but I also write about it. It was a really sad ballad when we started, but I thought, ‘I don't want to make a soppy song, let’s make this fun.’” I had a personal experience where I thought something was very magical but then it wasn't, and that's okay. “I love romantic films, but it's never as it is on film. We had an iPhone and put on Voice Memos while I was singing-we didn't even have a proper microphone.”
We were producing it and thought it would be nice to let people into the studio session. We wrote it on the piano and ended up just having that version. It’s a song that has been in the mix for two or three years as one of the earlier demos. “With this song I wanted to bring people down and then bring them up. I want people to be joyful and happy when they leave the show.” I don't know who, I just wanted it to be big! I was definitely imagining playing this at a huge festival on a big stage. Whether it's a ballad or a big pop song-they're very in your face.” Sucker Punch is the album name and it summarizes it in a pretty cool way, because all of the songs are a sucker punch. “I chose this track to start the album as it was the intro for our show on tour and it felt really good. Join Sigrid for a tour of her head, and Sucker Punch. There are as many middle fingers to record label execs and terrible boys as there are joyous odes to her band and self-empowerment. A pop rocket detailing a bruising experience of being belittled as a young female writer, its DNA runs strong through her debut. “You're not either/or, and I guess that comes from me as well.” The Norwegian’s breakthrough track, “Don’t Kill My Vibe,” perfectly captured this sentiment. “You can’t be positive without knowing what sadness really is,” Sigrid tells Apple Music.
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